• 23/02/2023
  • By binternet
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Reserved for subscribers by Thierry Hillérteau published, updated

The Imperial Theater opened the Festival en Voix by a production full of freshness of the Boieldieu Opera.

Before haunting the Compiègne forest, the Lady Blanche floated in the musical imagination of our ancestors.With 1669 performances in a century, this tube machine by François-Adrien Boieldieu, created in 1825, remained one of our greatest hits.

If the score aligns from the entrance to the air that trot you in your head (from the mountainous choir to the famous ah what a pleasure to be a soldier!), The plot, sewn with white thread, mixture of vaudeville in the feydeau and fantasticAt the Walter Scott, today seems to be struck by a disuse which can quickly turn to the cheesy.Nothing like in the version offered by this November 9, at the opening of the Festival en Voix, the imperial theater of Compiègne.Mounted by the collective of theaters La Co (Opera) Tive, this show should have started its tour a year ago.We had to be satisfied with a capture at the Rennes Opera in December.

Pulling the Vaudeville on the side of the animal fable, with its costumes enhanced with imaginative headdresses evoking…

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